Richard Davis - Bellyfeel - Page 2
March 7, 2013

A Very Brief History Of Story And Technology

And this really will be brief as I concentrate mainly on the BIG moments created by the impact of new technologies on storytelling. Storytelling has evolved […]
February 27, 2013

Character Development In Transmedia Storytelling

In this blog I will describe a few methods we at Bellyfeel use to expand a character’s life beyond the main events that happen to him […]
February 20, 2013

Thoughts On Writing For Transmedia

In a perfect world a transmedia writing team would be assembled at the concept stage of a transmedia storytelling project. It would consist of a wide […]
February 18, 2013

Our Friends In The Prolific North

Here is an interesting article about multiplatform and TV production companies from last week’s Prolific North who cover news from creative and media companies in the […]
February 14, 2013

Games Companies, Writers & Storyworlds

In many ways the games industry is way ahead of traditional media makers like TV and film production companies when it comes to understanding how to […]
February 6, 2013
storyworld how a story grows

Storyworld – How a Story Grows

A couple of years ago we developed some very successful multiplatform content for a feature film, and created it using our own Storyworld Development Techniques. The […]
January 30, 2013
revolution will be televised

The Revolution Will Be Televised – as well as Online, Mobile, Tablet, Console and IPTV

At Bellyfeel we recently conducted a small, confidential survey with about 20 TV professionals and the feedback showed us that TV producers are worried about the […]
January 10, 2013
Transmedia Landscape

Transmedia Landscape 2013

As one year ends and another begins the transmedia landscape continues to age and mature. 2013 will be another year of creative thinking in the new […]
December 20, 2012
The Alexander Wilson Project

Keep It LIVE…

Following on from my post ‘The Fifth Space’ this one takes a look at how we at Bellyfeel used live events in our transmedia thriller pilot, […]